Interior of the Paris Opera HouseMondays, March 23 - April 27, 2020 (*no class March 30)
    1:30 - 3:30 pm

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    With Iain Scott, one of Canada’s foremost opera educators

    For centuries, Paris has been both a model and a magnet - the richest and most dominant city in Europe. As a model, Parisian fashions in architecture, dress, literature and music radiated across the continent. Parisian cultural influence on Russia, Germany, Austria, Italy and Spain is unparalleled. As a magnet, it attracted the world’s greatest artists and innovators – and any success in Paris ensured not only widespread fame but also unprecedented financial rewards. As a result, nearly all of the greatest opera composers, both domestic and foreign-born (e.g. Lully, Rameau, Gluck, Meyerbeer, Verdi, Bizet, Massenet, Debussy, etc.) created their greatest works for Paris. And the city of Paris is the place-setting for many of the world’s most famous and most loved operas, including La Bohème, La Traviata, Manon, and Andrea Chénier.

    In this course, we will use a loose historical framework to trace the development of operas created for the city and to illustrate operas, composed in later times, set in each period of the city’s fascinating history. In so doing, we will not only learn about a great model and“magnet city … but also about the breadth of the art-form of opera itself.


    Monday March 23
          The Ancien Régime and The French Revolution
    Monday April 6           Bohemian Paris and The Citizen King
    Monday April 13         La Gloire - Paris in the Second Empire
    Monday April 20         Opera and Paris in La Belle Époque
    Monday April 27         Paris in the Fin de Siècle and Paris Today

    Series: $90; Drop-in: $22 (+HST/CIF)

    One character jumping at another character.
    Mondays, November 18 - December 16, 2019
    1:30 - 3:30 pm

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    With Iain Scott, one of Canada’s foremost opera educators

    By December 1791, Wolfgang Amadeus Mozart had written the defining compositions in every available musical genre of his time: symphony, chamber music, masses, and - above all - three types of Operas: Opera Seria, Opera Buffa and Singspiel. Clearly, each of Mozart's mature masterpieces is a source of wonder. But how to interpret them on stage? Iain will discuss a spectrum of directorial approaches to these masterworks, each of which promises to provide fresh insights into these multi-layered experiences. We will not only learn more about Mozart and his great Operas, we will also discover how a variety of brilliant theatrical minds have illuminated these icons of operatic literature.

    November 18          Idomeneo and Entführung
    November 25          The Marriage of Figaro
    December 2            Don Giovanni
    December 9            Cosi Fan Tutte
    December 16          The Magic Flute

    Series: $90; Drop-in: $22 (+HST/CIF)

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    Contact & Info

    750 Spadina Ave. (at Bloor), Toronto, Ontario M5S 2J2

    Phone: 416.924.6211
    Fax: 416.924.0422
    Email: info@mnjcc.org

    Charitable Registration Number:
    140344243 RR0001